Pau Matas Nogué, Barcelona, 1993

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Playwright, musician, and sound designer, with a degree in Audiovisual Communication from UPF and in classical guitar from CMMB.

In the audiovisual field, he mainly works with the production company Asimètric Films, of which he is a member, primarily in directing, screenwriting, music, direct sound, and audio post-production. In parallel, he has also worked with other production companies and institutions such as TNC digital, where he has worked as a camera operator and director for several seasons.

In the theatrical field, he has developed in the areas of playwriting, musical composition, and sound design.

As a playwright, he co-wrote Odisseus together with Oriol and Quimet Pla (Sala Beckett, 2016). He also co-wrote Travy with Oriol Pla (Teatre Lliure, 2018), a project that was awarded the 2018 Critics’ Prize for "Best Small-Scale Production."

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Recently, he has directed and written Tumbalafusta (GREC 2024) with Xavi Bobés and La Ruta 40, and Gola (TNC 2024) with Oriol Pla.

As a dramaturg, he collaborates with Clàudia Serrahima, with whom he has premiered two object theater performances, No sabem res del campo and Arribo a mitja tarda.

His work in sound and music has given him another connection to the performing arts. In recent years, he has created sound designs and composed original music for over forty productions, including Ragazzo, La Calavera de Connemara, Una lluita constant, Desplaçament Variable, Reiseführer, Una, La Mala Dicció, Sísif Fa no Fa, Travy, Gola, and Terra Baixa. He also provided the musical arrangement abd the musical interpretation for the documentary short film Els Buits, nominated for the GOYA Award for Best Documentary Short Film.

In the field of dissemination and research, he coordinated one of the special issues of the magazine (Pausa.) on contemporary sound design.